宋代哥窑大盘

宋代是中国陶瓷发展史上一个高度繁荣的黄金时代，宋瓷虽没有唐代之恢宏气势，然优美高雅则过之，清丽潇洒而不失挺秀，有不饰粉黛、洗去铅华之自然之美。正如宋人所体现出的优雅秀美的艺术风格一样，追求轻松灵动的美感。宋瓷从造型到纹饰，抒情而写意，图案流动率意，富于韵律。虽多为单色釉，但其色泽恬美自然，柔和纯凈，是古人尚玉之精神在瓷器制作上的反映。哥窑是宋代汝、官、哥、钧、定五大名窑之一。宋代哥窑在后世备受人们青睐，元明清仿制者颇多，且各有风格，被称为仿哥窑或哥釉，虽为仿制，但其也不乏精品，并世代流传至今。哥釉器，亦名碎釉瓷。哥釉瓷器从色泽区分，有月白、灰黄、粉青、灰青、油灰、深浅米黄等种类。哥釉瓷有一个重要的特征是釉面开片，这是瓷器釉面的一种自然开裂现象。哥窑瓷釉色沉厚细腻，光泽莹润，如同凝脂；若置之于显微镜下，可见瓷釉中蕴含的气泡如同聚沫串珠，凝腻的釉面间迸裂有大小不一，或密匝或疏落的冰裂状网纹，其网纹之色浅黄者宛若金丝，细黑者如铁线，二者互相交织，因而被名之为 “金丝”“铁线”。此哥窑大盘造型敦厚，胎质坚细，釉面开细碎片纹，开片线条极具美感。釉色沉厚细腻，里外披釉，釉面肥腴，滋润如酥，冰凉柔滑，光泽柔和，如同凝脂。用手扣之瓷音清亮，而且造型挺拔大方，轮廓亦柔和流畅，在显微镜之下，瓷釉中蕴含的气泡如同聚沫串珠，备受人们青睐。此藏品为哥窑大盘之经典作品，从造型及釉色判断，应为明代中早期作品，系宫廷旧藏瓷品。哥窑大盘造型庄重、古朴典雅，釉色淡雅自然，尤以独特神奇的纹片装饰而韵味十足。哥窑瓷最显著的特征是釉色沉厚细腻，光泽莹润，如同凝脂。哥釉制作工艺复杂，难度较高，但是哥釉极为美观，各代皇帝都爱不释手。哥釉为世人所钟爱，却存世量极为稀少。据史料记载，哥釉瓷器从色泽区分，有月白、灰黄、粉青、灰青、油灰、深浅米黄等种类。在哥釉瓷器中，浅黄色网纹宛若金丝，细黑者如铁丝，二者互相交织，相得益彰，搭配得当，十分和谐，被美誉为“金丝”、“铁线”。直至今日，对于藏家来说，拥有一件真正的哥釉足以自傲。目前哥釉瓷在拍卖市场上不断升温，民间收藏哥釉瓷的人士也越来越多。在收藏界，有些资深人士说，在各地的古玩市场上，偶有看到哥釉瓷，但多为民国和文革之前制成的，价格比偏低，而珍贵的明清哥釉存世稀少，鲜有见到，很难在市场上“捡漏”，可见其价值所在。据了解，目前真正的哥釉青花基本上都藏于博物馆和个别大藏家手中，市场上真品极少。因此，此件藏品的面世，必会备受哥釉藏家的瞩目。此件哥釉大盘不管是在技术、外形、精雕方面都得到行业专家的十分认可，其精湛技术可谓达到了如火纯青的地步，堪称哥釉瓷的典型代表。此件藏品一经面世，必会备受收藏家的追捧，具有极高的收藏价值和历史价值。

Song Dynasty is a golden age of high prosperity in the development history of Chinese ceramics. Although song porcelain does not have the magnificent momentum of Tang Dynasty, it is too beautiful and elegant. It is beautiful and natural without losing its beauty. It has the natural beauty of not decorating pink and Dai and washing away lead China. Just like the elegant and beautiful artistic style embodied by the people of the Song Dynasty, they pursue a relaxed and flexible aesthetic feeling. From modeling to decoration, song porcelain is lyrical and freehand, with flowing patterns and rhythm. Although most of them are monochrome glazes, their color is beautiful, natural, soft and pure, which is the reflection of the spirit of jade worship of the ancients in porcelain making. Ge kiln is one of the five famous kilns of Ru, Guan, Ge, Jun and Ding in Song Dynasty. Ge kiln in the Song Dynasty was favored by people in later generations. There were many imitators in the yuan, Ming and Qing Dynasties, and each had its own style. It was called Ge kiln or Ge glaze. Although it was imitated, there was no lack of high-quality products, which have been handed down from generation to generation. Brother glazed ware, also known as broken glazed porcelain. Ge glazed porcelain can be divided into moon white, grey yellow, pink blue, grey blue, putty, dark and light beige and so on. An important feature of Ge glazed porcelain is the opening of the glaze, which is a natural cracking phenomenon of the porcelain glaze. The glaze of Ge kiln is thick, delicate and glossy, just like curd; If placed under the microscope, it can be seen that the bubbles contained in the porcelain glaze are like foam beads. There are ice crack like reticulated lines of different sizes, or dense turns or scattered between the greasy glaze. The color of the reticulated lines is light yellow, like gold wire, and fine black, like iron wire. The two are intertwined, so they are called "gold wire" and "iron wire". The large plate of Ge kiln has thick shape, firm and fine tire quality, fine fragment lines on the glaze, and the opening lines are very aesthetic. The glaze color is thick and delicate. It is covered with glaze inside and outside. The glaze is plump, moist, crisp, cold and smooth, and the luster is soft, just like curd. The porcelain sound is clear, the shape is straight and generous, and the outline is soft and smooth. Under the microscope, the bubbles contained in the porcelain glaze are like foam beads, which are favored by people. This collection is a classic work of the large plate of Ge kiln. Judging from the shape and glaze color, it should be a work of the middle and early Ming Dynasty. It is an old Tibetan porcelain product of the court. Ge kiln's large plate has solemn shape, simple and elegant, elegant and natural glaze color, especially with unique and magical pattern decoration. The most remarkable feature of Ge kiln porcelain is that the glaze color is thick and delicate, and the luster is bright and lustrous, just like curd. The production process of Ge glaze is complex and difficult, but Ge glaze is very beautiful, which is loved by emperors of all generations. Ge glaze is loved by the world, but its quantity is very rare. According to historical records, Ge glazed porcelain can be divided into moon white, grayish yellow, pink blue, grayish green, putty, dark and light beige and so on. In Ge glazed porcelain, the light yellow mesh pattern is like gold wire, and the fine black one is like iron wire. The two interweave with each other, complement each other, match properly and are very harmonious. They are known as "gold wire" and "iron wire". Today, for collectors, having a real brother glaze is enough to be proud. At present, brother glazed porcelain is heating up in the auction market, and more and more people collect brother glazed porcelain. In the collection industry, some senior people said that brother glazed porcelain was occasionally seen in antique markets everywhere, but most of them were made before the Republic of China and the cultural revolution, and the price ratio was low. However, precious brother glaze of the Ming and Qing Dynasties was rare and rarely seen, so it was difficult to "pick up leaks" in the market, which showed its value. It is understood that at present, the real brother glaze blue and white are basically hidden in the hands of museums and individual collectors, and there are few genuine products on the market. Therefore, the publication of this collection will surely attract the attention of Ge glaze collectors. This large plate of Ge glaze has been highly recognized by industry experts in terms of technology, shape and exquisite carving. Its exquisite technology has reached the point of fire and pure blue, which can be called a typical representative of Ge glaze porcelain. Once this collection is published, it will be sought after by collectors and has high collection value and historical value.